Last, Loneliest, Loveliest..

“Last, loneliest, loveliest…” is the title of  New Zealand’s first national exhibition at la Biennale di Venezia, taking place from 7 June – 23 November, 2014. The Creative Director is David Mitchell, a director of Mitchell & Stout Architects in Auckland, and New Zealand’s participation has been instigated by the New Zealand Institute of Architects. Tony van Raat, who is the Commissioner and head of the Department of Architecture Unitec, Auckland,  presented to us yesterday their very first entry at the biennale!

He started his speech in Maori language as a sign of respect to the Maori tribe..


early exchange in the pacific: a maori bartering a crayfish with an english naval officer [ascribed to tupaia], 1769, from drawings illustrative of captain cook’s first voyage, 1768–1771. © the british library board


Last, Loneliest, Loveliest proposes – via a century-long architectural journey that begins with the Auckland War Memorial Museum, a 1920s neo-Classical monument to New Zealand’s fallen soldiers, and ends with the pavilion-like extension to the Auckland Art Gallery (2011) and Shigeru Ban’s ‘Cardboard’ Cathedral (2013) in post-earthquake Christchurch – the survival and evolution of a Pacific architectural tradition within New Zealand.

“Anyone who travels notices that, more and more, things seem to be the same, and our country’s architecture shares in this general uniformity” says David Mitchell. However, Mitchell believes the story of modernity in New Zealand is more complicated than it appears. Despite the effects of globalisation, New Zealand’s architecture is more singular now than it was a century ago, and what sets it apart is its connection to the Pacific way of building.

“The Pacific has a great architectural tradition, although it is rarely honoured,” he says.

“That might be because it is not like European architecture, which is solid and massive and looks permanent. Pacific buildings are timber structures of posts and beams and infill panels and big roofs. It’s a lightweight architecture that’s comparatively transient.” (source)


wharenui tāne whirinaki at opeke marae, 1920. photo: charles troughton clark. alexander turnbull library, wellington


He showed us several images from this beautiful country and the islands that form their context, explaining that their neighbors are these places, with NO PEOPLE!  And then he showed us a whole series of houses that New Zealand architects built in the 1950s and 60s, all built with a light structure of big roofs and almost no walls. Of course there are glass walls, you can see how the landscape is present to the building all the time!

In New Zealand we don’t really think about making New Zealand architecture, we just want to make good architecture. Of course if you’re italian you’ll make italian architecture because that’s the new blood, you don’t have to try to be italian to make italian architecture, that’s what you are! It emerges naturaly!

We work in China a lot and what we keep saying to the chinese students is “Look at your own history, there are models for you that might help you to build a new chinese architecture in the 21st century, you don’t just have to copy from international magazines. Your own history is rich and ancient!”


heke street house, auckland. 1990, designed by david mitchell and julie stout. photo: lucas k. doolan


clifford-forsyth house, auckland, 1995, designed by patrick clifford of architectus. photo: patrick reynoldsg2

intérieur de la maison publique d’apia, ile opoulou. drawing by e. goupil; lithograph by p. blanchard. first published by gide, 1846.national library of australia


tristan marler carving the whata-a-rangi for the new zealand pavilion. photo: arch macdonnell


Any of us can do a drawing of anything. But then you have to turn it into a physical object that people are going to live in, makes you feel different about your drawings, you realise they have a real social purpose. And the whole purpose of architecture i think is to have a positive impact on society, we build for social reasons and architects work for social reasons. You really realise that when you get engaged with the people who are going to live in the building you’re making. When you’re talking to the client who will sleep in the bedromm that you’re drawing, that will bathe their children in the bathroom that you’re designing, that will entertain their friends in the dining room that you’re sketching up for them… And then you build it up for them! It’s a real sense of connection with ordinary people and it’s an incredible connection!

Here you can see a video from the making-of of the pavilion.


Souvenirs from Venice..


At this day, exactly one year ago, I was at Venice with Chiara, Sara, Niccolò and Nikos for the Biennale of Architecture!

There are no words to describe this city, I think we all have an image in mind, but every time I visit Venice I discover something new!  I just love getting lost in the same alleys and find myself to the same channel or bridge again and again.. However, what fascinates me most is that this city is the same as it was five hundred years ago! The transportation is on foot or by boat, which adds to the romantic character of the city.

When you visit the Venice Biennale the fact is that you do not have much time to see the city, just in the afternoon on the way back completely tired but always with an appetite for a Spritz! Spritz is definitely my favorite beverage and in Venice you have to try it with Select instead of Aperol or Campari. There are two late-night (ok, not that late!) drinking areas in Venice, the one is Campo Santa Margherita and the other one is Erbaria close to Rialto bridge.

Soooo prepare to get lost at Venice and have a Spritz for me! Have a nice weekend everyone!













photos © chrysoula papagianni


Athens Biennale 2013 Agora

Και τώρα τι;

“Αν το 2011 ήταν έτος διαμαρτυρίας και ριψοκίνδυνων ονειροπολήσεων, το 2013 απαιτεί να σκεφτούμε επινοητικά και με εποικοδομητική διάθεση. Σε μια περίοδο όπου η οικονομική κρίση στην Ελλάδα και σε άλλες χώρες κορυφώνεται, η 4η Μπιενάλε της Αθήνας (ΑΒ4) δεν μπορεί παρά να θέσει ένα καίριο ερώτημα: Και τώρα τι;” (


“Η απάντηση στο ερώτημα Και τώρα τι; ονομάζεται AGORA. Χρησιμοποιώντας το κτίριο της Εθνικής Τράπεζας της Ελλάδος, Σοφοκλέους 8-10, ως κύριο χώρο της, η ΑΒ4 προτείνει την AGORA όχι μόνο ως τόπο ανταλλαγής απόψεων αλλά και ως ιδανικό σκηνικό κριτικής αντιπαράθεσης. Σε αντίθεση με την εξιδανικευμένη εικόνα της αρχαίας αγοράς, η AGORA φιλοξενεί διαφορετικές και ενίοτε αμφιλεγόμενες θεωρήσεις, στοχεύοντας τόσο στην τέρψη όσο και στην καλλιέργεια κριτικής σκέψης. Πρόκειται για μια έκθεση που υποδέχεται ταυτόχρονα το καρναβαλικό και το αμφίσημο, το σημαντικό και το ασήμαντο.” (



“Τι είναι συλλογικό και τι όχι; Ποιό είναι το σημείο που η ατομική έκφραση γίνεται δημόσια θέση και αφορμή συλλογικού προβληματισμού;” (




Η Athens Biennale 2013 Agora θα διαρκέσει ως την 1η Δεκεμβρίου 2013. Λαμβάνει χώρα στο Κτίριο της Εθνικής Τράπεζας της Ελλάδος (Σοφοκλέους 8-10) και στον πολυχώρο CAMP_Contemporary Art Meeting Point (Ευπόλιδος 4 & Απελλού 2).


Μπορείτε να επισκεφτείτε την Μπιενάλε από Τρίτη ως Παρασκευή (13.00–21.00) και Σαββατοκύριακο (10.00–22.00). Κάθε Σάββατο & Κυριακή στις 13:00, 15:00, 18:00 και 19:00, κάθε Τρίτη & Τετάρτη στις 18:00 και κάθε Πέμπτη & Παρασκευή στις 18:00 και19:00 μπορείτε να παρακολουθήσετε ωριαίες ξεναγήσεις (περισσότερες πληροφορίες εδώ). Παράλληλα, οργανώνονται διάφορες εκδηλώσεις (διαλέξεις, παραστάσεις, workshops κλπ.) και αρκετές από αυτές μοιάζουν ενδιαφέρουσες.


Ευχαριστώ θερμά την Εύη που μου έδωσε την άδειά της να χρησιμοποιήσω τις υπέροχες φωτογραφίες της για να συνοδεύσουν αυτό το ποστ!



Athens Biennale 2013 Agora

“Given that 2011 was the year of protesting and dreaming dangerously, 2013 prompts us to think responsively and come up with useful ideas and suggestions. At a time when the financial crisis in Greece and elsewhere is reaching a highpoint, the 4th Athens Biennale (AB4) cannot but respond to this bleak situation through a pertinent question: Now what?”

“Pondering this turning point, AB4 puts into play the collaborative process in producing an exhibition. Titled AGORA, it reflects on the way a biennale has to operate under the current socio-economic circumstances. Using the empty building of the former Athens Stock Exchange as its main venue, AB4 proposes AGORA not only as a place of exchange and interaction, but also as an ideal setting for critique. Contrary to an idealized image of the ancient agora, this new AGORA points to a radical re-orientation in thinking – one that entails judgment, ruptures and conflict. As a contested space where multiple theses and doctrines emerge, this AGORA cannot be taken for granted: it aims for pleasure and purpose; it opts for the carnivalesque and the ambiguous, for the significant as much as the insignificant.” (

“What components comprise a collective action? Where is the fine line between self expression and public standpoint and what turns one into the other?”(

Athens Biennale 2013 Agora is taking place at the National Bank of Greece Building (8-10 Sofokleous str.) and CAMP Contemporary Art Meeting Point (4 Eupolidos & 2 Apellou str.). Opening hours: from Tuesday to Friday: 13:00-21:00, Saturday & Sunday: 10:00-22:00 (until December 1st). There are also scheduled guided tours every day (Saturday & Sunday: 13:00, 15:00, 18:00 & 19:00_Tuesday & Wednesday: 18:00_Thursday & Friday: 18:00 & 19:00). For more information you may visit here.

I want to thank my friend Evi who let me use the excellent photos she took during her visit at Athens Biennale!



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